Thanks for beeing back to read the second and last episode of this short story about JJ Rock, a female drummer in the town of Twackham in London that we started to love. Thanks again to Alice Wickham and Joanne Ruocco, who wanted to share this adventure with the readers of Planet Drum.
We are glad to publish a comedy series about JJ Rock, a female drummer in the town of Twackham in London, fruit of the imagination of two friends of Planet Drum, Alice Wickham and Joanne Ruocco, who wanted to share this new adventure with the readers of Planet Drum. Don’t miss the next and last episode of this short story.
Presenting the most comprehensive guide to foot technique for drummers ever available. With this sequel to his award-winning bestseller on hand technique, Jojo Mayer covers a wide range of techniques, from the most fundamental to the most sophisticated. State-of-the-art visualization and in-depth analysis offer easy to follow, step-by-step instructions for drummers of every skill level. In this highly entertaining and informative program, Jojo explains every aspect of foot technique and pedals—and for the first time reveals the inner workings of his own technique in great detail.
A collection of lessons featuring John Blackwell, Keith Carlock, David Garibaldi, Ndugu Chancler, Gavin Harrison, Simon Phillips, Todd Sucherman, Bill Stewart, Jason Bittner, Thomas Pridgen, Will Calhoun, Dafnis Prieto, Derek Roddy and Billy Ward.
Quando parliamo di partiture, spartiti e musica scritta non possiamo che inchinarci difronte al batterista italiano più rappresentativo: Maurizio Dei Lazzaretti. Un session man, musicista e didatta dall’enorme esperienza che ama condividere le sue esperienze e le sue nozioni, anche se in questo particolare caso, per affrontare lo studio di “Time Rudiments” ed i suoi esercizi in maniera adeguata, è necessario già saper leggere oltre che seguire in maniera scrupolosa le istruzioni e i suggerimenti dispensati dal Maestro Dei Lazzaretti.
Turn the Beat Around rompe la routine, vecchia di decenni, esaminando i “backbeats” sotto una luce completamente nuova, ponendo le domande: “Perché i backbeat vengono sempre suonati sui beat 2 e 4?” e “Che ne pensi di suonarli sui beat 1 e 3?”
No matter what style of music you intend to play it is very important that you have some knowledge in other styles if you want to improve on your instrument. If you can read music, you will also have a major advantage. There is no reason why you can’t be one of those drummers you are always reading about or see on television–but you have to work at it and learn as much as you can!